![]() ![]() But if you are used to Ableton or whatever, it's probably going to feel kinda naked. I think it's a win for those of us that will never be able to afford even a digital Harrison console from the 80's. ![]() I think that's a win for the open source community. So it's not perfect, but it was good enough to convert the folks working on the audio department at Lucas Arts and many more! Someone had the genius idea, hey if that tech worked in the 80's that will be a breeze compared to a protools session saddled with 5 plugins on each track for modern processing power! And they took the same code and sandwiched it on top of open source Ardour. They did that by modeling their analog board with 80s digital technology. To my understanding, Harrison were the first console company to switch to digital and ACTUALLY convert engineers using analog boards. A legendary piece of gear.īut here's the piece of the puzzle we're missing in this thread. But essentially, the idea is to set up the gain staging the same way one might with a 32c analog board. In my case it's the best scenario because reaper has been a LITTLE dodgey on Linux but probably better than when I last tried. I've been using mixbus 32c for many years now on Linux. It's a little more complicated than that (a positive and a negative-leaning neutral in my opinion.) Just wanted to chime in that's it's not just "analog" or "saturation" they are going after. Audio Mixers Harrison Mixbus Audio control surface Harrison Audio Consoles Audio mixing, monitors. Harrison Mixbus software takes pride in its True Analog Mixing Engine (TAME), which is an emulation of Harrison’s legendary 32C console, which was used to record great songs such as Thriller, Sweetest Taboo, and many others.
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